💹 ( cbet gg ) - 💹 A artista e autora Faith Ringgold, conhecida 💹 por seus tapetes narrativos que entrelaçavam arte com ativismo, morreu aos 93 anos. O falecimento de Ringgold, cbet ggcbet ggcasa 💹 cbet gg Nova Jersey no sábado, foi relatado primeiramente pelo New York Times.
💹 "Faith deixa um legado impactante de ativismo e advocacia 💹 pela diversidade e inclusão que marcou profundamente o mundo da arte, inspirando incontáveis outras pessoas a usaremcbet ggvoz como 💹 ferramenta de mudança social", disse Dorian Bergen, Presidente das ACA Galleries, que representavam Ringgold há quase três décadas, cbet gg um 💹 comunicado fornecido à cbet gg . "Sentiremos muitocbet ggfalta e continuaremos nos comprometendo a continuar essa legacy compartilhando seu 💹 trabalho, filosofias e vida com o mundo."
💹 Ringgold, nascida cbet gg 1930 cbet gg Harlem durante o Renascimento de Harlem, draws inspiration from 💹 the tumultuous social realities she lived through. As a student, her formal initiation in the arts was almost curtailed by 💹 the City College of New York's regulations of the time, which restricted women to specific majors - art not being 💹 one of them. However, Ringgold's determination led her to strike a deal with a school administrator: her art studies were 💹 contingent upon primarily enrolling in the school of education, where women were allowed. 💹
After earning her bachelor's degree in fine art 💹 and education in 1955, Ringgold began teaching art in public schools while developing her own art. She later received a 💹 master's degree in art from City College in 1959. Her early work was influenced by civil and racial unrest, and 💹 had powerful political and social tones.
Série "The American People"
💹 Entre 1963 e 1967, Ringgold portrayed fraught race relations in America in 💹 a series of paintings titled "The American People Series." The series' final painting, "American People Series 20: Die," is a 💹 vivid critique of the violent riots of the Civil Rights era. The painting, arguably the series' most famous, gruesomely depicts 💹 a group of men, women and children brutally attacking one another. It is now part of the Museum of Modern 💹 Art's permanent collection.
💹 "I became fascinated with the ability of art to document the time, place, and cultural identity of the 💹 artist," she told the Museum of Modern Art. "How could I, as an African American woman artist, document what was 💹 happening around me?"
💹 Ringgold's early work did not enjoy much success at the time, driving the mother of two to take 💹 her activism to the streets for causes such as women's representation - especially of Black women - in mainstream art 💹 exhibitions and collections. In 1970, Ringgold was arrested and charged with desecrating the American flag for co-organizing the "People's Flag 💹 Show," an exhibition protesting against the Vietnam War, and for artists' First Amendment right to use the flag as material. 💹
"They 💹 didn't keep me in for long because the media was watching," she told the New York Times of her sentencing. 💹
Quilts de Ringgold
💹 Around the same time, Ringgold began incorporating new materials into her art. She experimented with sculpting in wood and 💹 clay, but the dust triggered her asthma eased her to shift ...